Villagers look at a painting by artist Chan Pisey about the Khmer Rouge genocide during an art workshop and exhibition project titled "The Art of Survival", in Kamport province, 146 km (91 miles) west of Phnom Penh, July 25, 2009.
REUTERS/Chor Sokunthea
Artist Vann Nath (2nd L), a survivor of the Khmer Rouge's notorious Tuol Sleng prison, explains a painting to villagers during an art workshop and exhibition project titled "The Art of Survival", in Kamport province, 146 km (91 miles) west of Phnom Penh, July 25, 2009. Nath was detained during the regime at the S-21 interrogation centre, where more than 14,000 people died, and said his life was only spared because chief torturer Duch liked his paintings of "Brother Number One", Pol Pot.
REUTERS/Chor Sokunthea
Villagers look at a painting by artist Vann Nath, a survivor of the Khmer Rouge's notorious Tuol Sleng prison, during an art workshop and exhibition project titled "The Art of Survival", in Kamport province, 146 km (91 miles) west of Phnom Penh, July 25, 2009. Nath was detained during the regime at the S-21 interrogation centre, where more than 14,000 people died, and said his life was only spared because chief torturer Duch liked his paintings of "Brother Number One", Pol Pot.
REUTERS/Chor Sokunthea
Artist Chan Pisey explains her painting about the Khmer Rouge genocide to villagers during an art workshop and exhibition project titled "The Art of Survival", in Kamport province, 146 km (91 miles) west of Phnom Penh, July 25, 2009.
REUTERS/Chor Sokunthea
Villagers visit an exhibition titled "The Art of Survival" by artist Vann Nath, a survivor of the Khmer Rouge's notorious Tuol Sleng prison, in Kamport province, 146 km (91 miles) west of Phnom Penh, July 25, 2009. Nath was detained during the regime at the S-21 interrogation centre, where more than 14,000 people died, and said his life was only spared because chief torturer Duch liked his paintings of "Brother Number One", Pol Pot.
REUTERS/Chor Sokunthea
Artist Vann Nath, a survivor of the Khmer Rouge's notorious Tuol Sleng prison, explains a painting to villagers during an art workshop and exhibition project titled "The Art of Survival", in Kamport province, 146 km (91 miles) west of Phnom Penh, July 25, 2009. Nath was detained during the regime at the S-21 interrogation centre, where more than 14,000 people died, and said his life was only spared because chief torturer Duch liked his paintings of "Brother Number One", Pol Pot.
REUTERS/Chor Sokunthea
Artist Vann Nath (2nd R), a survivor of the Khmer Rouge's notorious Tuol Sleng prison, speaks to Cambodian Buddhist monks during an art workshop and exhibition project titled "The Art of Survival", at a pagoda in Kamport province, 146 km (91 miles) west of Phnom Penh, July 25, 2009. Nath was detained during the regime at the S-21 interrogation centre, where more than 14,000 people died, and said his life was only spared because chief torturer Duch liked his paintings of "Brother Number One", Pol Pot.
REUTERS/Chor Sokunthea
A Cambodian Buddhist monk draws a picture depicting the arrest of a Cambodian civilian by Khmer Rouge soldiers, during an art workshop and exhibition project titled "The Art of Survival", at a pagoda in Kamport province, 146 km (91 miles) west of Phnom Penh, July 25, 2009. Artist Vann Nath, who spoke at the workshop, was detained during the regime at the S-21 interrogation centre, where more than 14,000 people died, and said his life was only spared because chief torturer Duch liked his paintings of "Brother Number One", Pol Pot.
REUTERS/Chor Sokunthea
Artist Vann Nath (R), a survivor of the Khmer Rouge's notorious Tuol Sleng prison, gives drawing tips to a villager during an art workshop and exhibition project titled "The Art of Survival", at a pagoda in Kamport province, 146 km (91 miles) west of Phnom Penh, July 25, 2009. Nath was detained during the regime at the S-21 interrogation centre, where more than 14,000 people died, and said his life was only spared because chief torturer Duch liked his paintings of "Brother Number One", Pol Pot.
REUTERS/Chor Sokunthea
Artist Vann Nath (L), a survivor of the Khmer Rouge's notorious Tuol Sleng prison, speaks during an art workshop and exhibition project titled "The Art of Survival", at a pagoda in Kamport province, 146 km (91 miles) west of Phnom Penh, July 25, 2009. Nath was detained during the regime at the S-21 interrogation centre, where more than 14,000 people died, and said his life was only spared because chief torturer Duch liked his paintings of "Brother Number One", Pol Pot.
REUTERS/Chor Sokunthea
Artist Vann Nath (L), a survivor of the Khmer Rouge's notorious Tuol Sleng prison, gives drawing tips to Cambodian Buddhist monks during an art workshop and exhibition project titled "The Art of Survival", at a pagoda in Kamport province, 146 km (91 miles) west of Phnom Penh, July 25, 2009. Nath was detained during the regime at the S-21 interrogation centre, where more than 14,000 people died, and said his life was only spared because chief torturer Duch liked his paintings of "Brother Number One", Pol Pot.
REUTERS/Chor Sokunthea
Artist Vann Nath (C), a survivor of the Khmer Rouge's notorious Tuol Sleng prison, gives drawing tips to young artists during an art workshop and exhibition project titled "The Art of Survival", at a pagoda in Kamport province, 146 km (91 miles) west of Phnom Penh, July 25, 2009. Nath was detained during the regime at the S-21 interrogation centre, where more than 14,000 people died, and said his life was only spared because chief torturer Duch liked his paintings of "Brother Number One", Pol Pot.
REUTERS/Chor Sokunthea
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